Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind. Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX+.
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Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X.
The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX+. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch. The ARC USB connects to your computer via USB, and talks to TotalMix FX directly.
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An internal Realtime Clock (RTC) delivers time-stamped files, and playback now includes several advanced player functions previously unavailable.ĪRC USB Remote Control - Plug'n Play Plus The maximum number of recordable channels has been raised to 76, meaning all 12 analog inputs plus 64 MADI channels can be recorded simultaneously. Word Clock I/O (BNC) can be switched to MADI I/O (coaxial), and a special split mode even supports the use of both MADI I/Os simultaneously, with 32 channel each on optical and coaxial.ĭURec, which is available on the front of the Fireface UFX+, now offers second generation hardware with improved USB functionality and compatibility, providing greater reliability even with slower or multi-partitioned USB thumb drives. For example in USB 2 mode, which is limited to 30 channels I/O (12 analog plus 16 ADAT plus AES), the MADI I/O is still available via RMEs integrated hardware mixer TotalMix FX. To further enhance MADI flexibility, the Fireface UFX+ boasts some typical RME-style features. Multiple external MADI devices can also be connected in series. Expanding your analog channel count, the ability to route/mix within the digital domain through numerous sources presents many flexible options. The Fireface UFX+ opens the doors to a host of RME and 3rd party digital and analog I/O solutions. New low impedance Hi-Power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power as well as volume on any phones, high or low impedance. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range serves even the most critical recording situation and source trouble-free. The Fireface UFX+ is fully Thunderbolt technology compatible under Windows, including hot-plugging.Īll new AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values guarantee pristine, crystal clear and transparent audio.
Thunderbolt technology gives the Fireface UFX+ real PCI Express audio performance under Mac and Windows, with lowest latency, lowest system overhead and lowest CPU load. The UFX+ has an impressive channel count: 12 analog + 16 ADAT + 2 AES + 64 MADI = 94 channels input plus output = 188 channels in total.
USB 2, USB 3 and Thunderbolt technology are standard on the Fireface UFX+. Its flexibility in connectivity and expansion is unrivalled Analog, ADAT, MADI, AES, SPDIF. Packed with features, including MADI I/O (188 channels of I/O, 128 channels more than the Fireface UFX), a more powerful DSP, USB 3.0, Thunderbolt technology, and a new optional remote control, the RME Fireface UFX+ is firmly placed as the new reference in multitrack recording, mixing and monitoring.
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With unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME's famous low latency hardware and driver designs, the Fireface UFX+ raises the bar to new heights. The Fireface UFX+ can handle up to 94 channels I/O with ease. Recorders, Classroom & Plastic Instruments.Signal Processors, Converters & Preamps.
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